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Sonically, IK have upped their game with AT3, as it's very much on a par with the outstanding AmpliTube Fender, yet offers a wider range of tones. With such a bewildering selection of modules, you'll be glad of the presets, and although some rely too heavily on the rack effects, such all-encompassing sounds can be pretty seductive and inspiring when jamming by yourself, making a good starting point. Advocates of the crazy Digitech Whammy pedal will also be thrilled to set foot on the wild Wharmonator. Pretty much every flavour of fuzz and distortion can be found in the pedals, while sweet swooshes and warm wobbles can be had with the Electro-Harmonix style Small Phaser and Electric Flanger, as well as the Uni-V, which is, of course, a Uni-Vibe imitation. "Like its predecessor, AT3's strength lies in mimicking rock guitar amps." Fender amps are well represented, but there's enough differentiation from AmpliTube Fender for each to remain an attractive buy.įor huge stereo rock guitars, the flexibility of the routing comes into its own (you can use two complete setups at once, and there are eight routing options), and we also had great success using the new amp miking system to combine spread mics with a touch of room sound. Similarly, UK classics (AC30 and Marshall) have a strong presence, and the addition of more bass amps is also welcome. Like its predecessor, AT3's strength lies in mimicking rock guitar amps, and if you like 'dual rectified', US-style rock sounds, you won't be disappointed as the Mesa/Boogie, Randall and Peavey amps really deliver. Note that while AT3 replaces the models from AT2, you can still open your AT2 presets, although they may sound slightly different using the 'remastered' models. Oddly, this didn't seem to incorporate patches from our other IK amps, which is a shame. Moving on, there's a whole new set of presets to contend with, and a new preset browser page with various categories. Overall, the new cabinet implementation is wonderful, and the only shame is that you can't import your own impulse responses into it. This enables you to artificially inflate or contract the size of the cabinet (75% to 125%). Rounding things off is the cabinet size control. You'll also find a selection of five room types: amp closet, small studio, mid studio, large studio and hall. Once again, you can adjust it using the controls or the graphic.
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AMPLITUBE 3 PRESETS PLUS
The stereo room mic is simpler and includes mute, solo and phase flip, plus width control, pan and level.